Through the project “The Bali Tapes,” I looked at myself as a jazz composer and musician, where the search was for new musical expression in the meeting between modal−jazz and gamelan music. Through this perspective, I will strive to develop new musical concepts and compositions. 'Own compositions' aims to unite a soundscape often associated with classical contemporary music with sound and conceptualisms from gamelan music. This concept I process from the letters A to I, with different motifs of different lengths, where a densifying of the patterns is the principle. Accordingly, the composition is polymetric, that is, several time signatures simultaneously. By that, I mean there is no specific weight on the first beat in the bar. In practice, this music does not depend on the time signature. The motifs are in different time signatures, but since the parts have varied lengths of motifs, the notation becomes very complex. Although both parts are notes at the same time signature, this is more of a pragmatic reason.

I have used this syncopated rhythmic movement as a basic idea for further development. I wanted to investigate other approaches to using this, but without the interlocking system, with a focus on syncopation and the rhythmic flow characteristic of the kotekan.

Glitch Out is a rhythmic fantasy inspired by the repeating, sometimes nonstop function of the kotekan.

Waves 9 complete 1.3.3.2